White Wave Press

Some people concern themselves only with the content of a book. To them, it doesn’t matter what the book looks like. For these people, content is king.

For others including me, however, it’s a different story.

What the book looks like matters just as much as what’s written inside. I collect books. I love first editions. I love books with a provenance, with a story attached.

For example, one of my most prized books is an edition of Charles Dickens’ The Old Curiosity Shop which is signed by Florence Nightingale.

When I set out to put together my second collection of poetry, 17 poems: one for every year of innocence, I wanted it to be different from traditional poetry collections.

I wanted to present the poems beautifully. I wanted the book to be hand bound. I wanted a gorgeous cover. I wanted a book that would be a delight to touch, hold and feel. I wanted it to be a trophy on a book shelf.

And if people liked the poetry inside, well, that’d be a bonus!

17 poems: one for every year of innocence is a limited edition: there are only 150 printed in this particular design and format. This adds to the special feel of the book.

The other unusual aspect of the book is that each volume includes a CD of me reading the poems. This adds another dimension to the experience and helps to make poetry more accessible to those who are more 'auditory' than 'visual'.

The saying ‘don’t judge a book by its cover’ does not apply here. Please feel completely free to judge it by its cover.


And remember: mind your language!

If poetry bored you to tears in high school, there’s probably a really good reason.

At Ted Nicholas's Dream Information Publishing Seminar recently, I was wrestling with the idea of how to make poetry publishing profitable.

I have just published my second collection of poetry, 17 poems: one for every year of innocence. (Ginninderra Press published my first collection, Exposure, in 2003.)

As I listened to Ted speak about the importance of getting into an emotional state conducive to writing compelling copy, I started to compare the poetry writing and copywriting processes.

They’re similar, but different.

Let me explain.

Usually I write short poems with layers of meaning and emotion, because of course I write poems (or songs) about an experience, a moment or an event which affected me in some way. I’m baring my soul, and if I’ve touched on a universal theme in the process, then there’s a chance that readers may connect and empathise with my experience.

When I write marketing and sales copy, I write emotional and passionate words that will move, touch and inspire the prospect/reader. I set out to create that empathy on purpose.

The major difference between them is the intention.

As a poet, I write for myself. I suppose you could call it self-indulgent. I absolutely need to write. It’s a kind of purging. The words shoot out from my soul in some inexplicable, out-of-control trajectory, splattering all over the page. Sometimes I have to clean them up and make them more presentable. With a bit of luck, those who read my poem may find that it resonates with them. When I’m writing a poem, however, that’s the last thing on my mind.

With copywriting, it’s a different story. I write with the reader completely in mind. I sit down with this prospect, who has some desperate want which I intend to satisfy. I then have a conversation with this person, identify all his/her fears, hopes and expectations, and propel him/her inevitably towards taking whatever action I’m suggesting.

So, great poems create empathy in spite of the intention (or they don’t, in the case of those ones that bored you senseless at high school).

Great sales copy creates empathy because of the intention.

(Oh, and one pays more than the other.)


Remember to mind your language – and your intentions!

Although this post isn't about copywriting per se, it is about a style of writing that's special to me: poetry.

I'm very excited that the Hon. Michael Atkinson MP, Attorney-General, Minister for Multicultural Affairs, will launch my second collection of poetry on the 4 December at the SA Writers' Centre here in Adelaide.

Available now from White Wave Press, 17 poems: one for every year of innocence is the first in a limited collection series.

This collection is particularly special because each edition includes an audio/mp3 CD of me reading the 17 poems. The CD also contains bonus readings of two poems from my first poetry collection, Exposure, which was published by Ginninderra Press in 2003.

Only 150 imprints of 17 poems: one for every year of innocence have been created. Each one is numbered individually.

Each volume is printed on beautifully watermarked 190 gsm paper and exquisitely hand-bound by Chasdor Bindery, South Australia’s most reputable book-binding specialist. The blue sun linen hard cover is embossed in silver with handset type.

This volume will make a delightful, unique gift to a friend, family member or loved one.

For only $35 plus postage and handling, this limited edition collection and bonus audio CD is a fine-quality gift which is a delight to include on any bookshelf, and is a 'must-have' for every poetry lover and discerning reader.

If you'd like more information about 17 poems: one for every year of innocence, send an email to 17poems AT whitewavepress DOT com or visit White Wave Press.

I'm also thrilled that one of my poems was featured in the anthology Poems in Perspex, Max Harris Poetry Award 2007, which was launched at the SA Writers' Centre recently. That collection is available from Lythrum Press.


Remember, mind your language - even if it's poetry!